Posts Tagged ‘head’

Take More Benefit with Monopod

Monopods are not a substitute but rather a complement to tripods.

Monopods allow photographers, used properly, even with medium telephoto lenses, blur-free images down to 1/30sec, even limited to record 1/15sek. (Assuming an appropriately motionless motive …) Excellent monopod can be used in conjunction with long, heavy telephoto lenses. They liberate the photographer from the weight can not be underestimated, thereby enabling images with shutter speeds that would certainly shake without a tripod and let the photographer the flexibility to be able to react to unforeseen situations. Not for nothing are monopods to the “must have” equipment for sports and wildlife photographers.

Monopods connect directly to a camera or a telephoto lens with a tripod mount is less than optimal. Considerably easier it is to better combine a monopod with a small ball or head, with long lenses with tripod collar, a head tilt as the 234 or Manfotto Manfrotto 234 RC (with quick-change adapter). A cheap, robust, compact and very sturdy (even with heavy equipment as a 2.8 / 300mm) monopod is eg. Manfrotto Neotec Monopod or for futher information, you can searching manfrotto monopod review by google.

The Monopods are (generally speaking) in two versions:
Either the leg segments with a lever or a screw (eg Manfrotto) or by “coupling nuts” (eg Monostat, Gitzo) clamped.
Both have advantages and disadvantages.
By a lever or screw clamping the leg segments, the leg extension can be fast, even-handed, adjustable (eg when the camera high to swing a landscape or to sit / kneel), the above screw the monopod to make somewhat cumbersome during transport.
Monopods with “nuts” are much more compact, but can not extract the easy and quick to adjust.
Monopod as a stabilizer
Monopods can be used not even sold. In this case, a (not too light and rigid as possible) without the ball or monopod tilt head screwed directly to camera or lens and extended to a medium length shot, is freehand.
The effect is to stabilize the camera by increased torque on two of three axes, only the vertical axis (which runs through the tripod) retains its normal torque. This stabilization is similar in effect to stabilize the “horizontal panning”, which can also be selected during image stabilizers: While turning the camera to the accompaniment of the motif is slightly reduced, the tipping vertical and shake significantly. This gives an inexpensive and yet effective image stabilizer.

Ink cartridges defined

An inkjet ink cartridges is a removable and replaceable component of an inkjet printer. This contrasts with a dot matrix printer (also called needle printer) that uses an ink ribbon and a laser printer that works with a toner. A cartridge contains one or more ink reservoirs, electronic contacts and possibly a chip to communicate with the printer. There are many kinds of patterns, since almost every brand uses a different format. There are patterns to print in color and black cartridges to print. In general, one finds four colors in one inkjet printer. Black is almost always in a separate cartridge, the other colors can also sit in a cartridge. These are cyan, magenta and yellow. It is also possible that a special photo cartridge is installed with a special black ink which creates a higher gloss.
There are generally two types of cartridges:
- Ink Tanks: Ink tanks are filled with ink cartridges, which the (fixed) printhead into the printer be put. These patterns contribute little to the print quality of the printer. The printhead can usually be replaced separately.
HP delivers a mostly solid color cartridge, but also models with separate ink tanks. Also, Epson and Canon individual ink tanks can deliver.
- Patterns print head: Cartridges where the print head attached. This means that the print is actually the owner himself. Every time you replace the cartridge is replaced, thus the print head every time it a “like new” quality.

Cartridges in the aftermarket sales are very expensive (ink cartridges will cost about 1000 euros per liter converted, in some cases up to 3400 euros). Sometimes it is also cheaper than a new printer on sale now with matching ink (the included patterns are sometimes only partially filled). But there are solutions to the ink in a cartridge to refill, but that is usually only a few times (4-12 times) as possible. Because they are most profitable on the patterns (using the ‘razor-strategy), some manufacturers such as HP, in certain models of their cartridges a chip installed that allows the cartridge does not work after refilling.

Photo Tips For Documenting Life’s Events

There are really only 2 kinds of events: milestones and recurring annual events.

Milestones
Sorry for stating the obvious here, but these are the so-called once-a-life time biggies. Ones so important that you sometimes associate with a song or piece of music.

A partial list of milestones may be the following:

  • Graduations-happy, fun event but rife with access problems.
  • Weddings-can be easy or tough depending on your level of experience. Just don’t get in the way of the professional whose job is to officially document the day.
  • Births-believe it or not, I had some friends who wanted this documented. I wouldn’t want a stranger to do this though. I do wonder when and with whom you can share these pictures even if they’re PG-rated.
  • First Communions-formal or posed portraits are the norm. Live coverage offers spontaneous moments which are often priceless.
  • First haircuts-the “firsts” are not necessarily very meaningful but they can be a lot of fun to look back at these pictures. The first fish your child catches can be fun too.

Recurring Events
The list below is fairly obvious. Your subjects may not change over the years but that doesn’t mean your photography can’t improve if you do a lot of these.

The key is to come up with a different way of looking at the same subject. No, don’t stop taking the same pictures you took the year before, be bold and experiment.

    * Birthdays-hardest to find a fresh approach
    * Halloween-mostly for the costumes young children but priceless to parents
    * Vacation Trips-best prospects for great pictures simply because of different locales
    * Special Christmas programs-difficult due to poor lighting, accessibility

Better Milestones Pictures
Based on subject and setting of each event, your approaches will vary.

In the first group of events which I call Milestones, they are very important, just ask my wife. So don’t blow it, there’s no pressure.

When I worked at the paper and was very new, this sort of anxiety was normal. But a technic I learned in flying school called “bunk flying” helps. It’s nothing more than pre-visualizing everything you think you’ll encounter in your head at the event.

Everything right down to the equipment you’ll bring and where you’ll pose your subjects. It of course helps if you’ve been to the venue of the event preferably at the designated time. You want to get an idea of not only what the place looks like but also the lighting, hence the “time” element.

Mind you, when I worked for the newspaper, there are few instances when I can ask for something to be repeated or as they say in golf, ask for a “mulligan” or a “do-over.”

Imagine asking for a repeat of the action when a baseball play occurs at home plate and you weren’t paying attention.

So what’s your best chance of capturing those once-in-a-lifetime moments?

Scout The Location Beforehand
Figure out where the light is for a particular venue or scene. In a church where there are stain glass windows and big doors, there will be spots where it is brighter than others. Be ready to shoot your subject at those spots.

Be Prepared
Have all your gear in one bag. Keep your camera, flash, lenses and other accessories like extra memory cards in one bag. That way all you need to do is to grab it and you’re ready.Remember, digital cameras without charged batteries are a paperweight. A camera with a full memory card is also a paperweight-both are good only for war stories.

Set Realistic Goals
If all you have is a short telephoto, realize you’re limited by your equipment.
Either wait till your subject is closer, or try and get closer.
If you’re shooting with a digital camera that has RAW capability, you could try taking your picture in that mode.
Shooting in RAW is like using a telephoto lens because you are capturing at the highest resolution you camera is capable of.
It will allow you to crop in, make your tiny subject bigger and just maybe allow you to get a decent image.
Because you don’t have access to be front-and-center to most events, be realistic as to the kinds of pictures you can get. If all you have is a short telephoto, don’t expect to get tight closeup shots. Instead wait for pictures with wide angles or pictures that you can take after an event is winding down.

As an example, graduations are great happy events to photograph, but you will be most hampered by lack of equipment and limited access.

Better Recurring/Annual Pictures
Just because you’ve shot some of these annual events over and over doesn’t mean they need to be boring. Sure, shoot the same picture you did last year but push yourself to come up with something different.

Access The Lighting
Have you stopped to think how those birthday cake scenes look with the room lights turned off?
Well, it actually looks very warm, inviting and nostalgic.
So next time you’re ready to shoot this scene and it’s indoors, turn off the lights.
If you have time, consider also changing the White Balance.
Don’t forget there is no hurry. You can tell them to re-light the candles or wait while you check your camera’s LCD as you make some tests.

Try A Different Viewpoint
If you’ve shot the quintessential blowing out the candles every year, try shooting from a different position or use a different lens.

A wide angle from close up from right up next to the cake by the candles can be a different view. This has the added benefit of allowing you to brace your camera in a low light situation.

Let The Kids Take Their Own Pictures
Set up a makeshift photo studio. All you need is backdrop and camera on a tripod. Most cameras have a self-timer. You can try that or you can let them trip the shutter themselves if you can spare one camera on a tripod.

Do At Least One Group Shot At The Same Location
A group shot at the same location will show how everyone has changed year after year. If the same guests attend, this can be a great record to show how children have grown or changed. These need not be prize-winning pictures. They are mainly for the record type pictures.

Look For Details & Closeups
An adult’s hand holding a newborn’s always makes for a nice intimate detail shot.

Finally while these are all events in your life, don’t forget to gather important details like brochures of the places you camped. Years later, that information will add more meaning to your memories.

Peter Phun teaches photography at Riverside City College. He does portraits, weddings and editorial work. Read this more extensive illustrated article about photographing those special events. He writes about photography, Macs and the internet. He also designs websites and is a stay-at-home dad.

By Peter Phun